Partners

Partners

Portrait of Andries Stilte II

Artist

Name: Kehinde Wiley
Statement: By applying the visual vocabulary and conventions of glorification, history, wealth and prestige to the subject matter drawn from the urban fabric, the subjects and stylistic references for his paintings are juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery.

Los Angeles native and New York based visual artist Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. As a contemporary descendent of a long line of portraitists, including Reynolds, Gainsborough, Titian, Ingres, among others, Wiley, engages the signs and visual rhetoric of the heroic, powerful, majestic and the sublime in his representation of urban, black and brown men found throughout the world.
Artwork Owner
Short North Alliance
Partner

Pizzuti Collection of the Columbus Museum of Art

Collection
Short North Mural Series, Unconventional
Description:

Wiley’s larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men. Initially, Wiley’s portraits were based on photographs taken of... Read more

Wiley’s larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men.

Initially, Wiley’s portraits were based on photographs taken of young men found on the streets of Harlem. As his practice grew, his eye led him toward an international view, including models found in urban landscapes throughout the world – such as Mumbai, Senegal, Dakar and Rio de Janeiro, among others – accumulating to a vast body of work called, “The World Stage.”

The models, dressed in their everyday clothing most of which are based on the notion of far-reaching Western ideals of style, are asked to assume poses found in paintings or sculptures representative of the history of their surroundings. This juxtaposition of the “old” inherited by the “new” – who often have no visual inheritance of which to speak – immediately provides a discourse that is at once visceral and cerebral in scope.

Without shying away from the complicated socio-political histories relevant to the world, Wiley’s figurative paintings and sculptures “quote historical sources and position young black men within the field of power.” His heroic paintings evoke a modern style instilling a unique and contemporary manner, awakening complex issues that many would prefer remain mute.

Dates

Installed: 2019

Media
Info about this place
Street Parking
Wheelchair Accessible
Outdoors
Categories
Mural
Address:

862 N. High St
Columbus, OH 43215
Franklin County

Materials

Vinyl

Something missing? Send us a note.

Please note: The Greater Columbus Arts Council (Arts Council) does not own or manage any public art. For the purposes of this database many pieces were entered by the Arts Council while we continue to search for the appropriate owner/manager of the work and other information to complete the entry. The Arts Council has tried to gather all available information about the works in this database, however, we acknowledge there may be missing or inaccurate information. If you can help us correct any inaccuracies, or provide more complete information, we would be grateful. Please use “Something missing? Please send us a note” above.

Nearby Public Artwork

Nearby Events